Wednesday, June 5, 2013

Finished!

SOLD

Quietness and Confidence  © 2013 by Karen Mathison Schmidt, artist
24 x 30 inches • oil on 2" deep cradled GessobordTM
private collection • Shreveport, Louisiana


This one was an interesting journey, and sold before I even finished it!
More about this later ...
sweet dreams!

Saturday, June 1, 2013

In quietness and confidence ...

This is what the Sovereign Lord, the Holy One of Israel, says:
Only in returning to me and resting in me will you be saved.
In quietness and confidence is your strength.

ISAIAH 30:15



oak tree oil painting • 24 x 30 inches • WORK IN PROGRESS

Not quite finished but it’s getting there! Today I worked on the dappled light on the driveway, adding deep shadows and highlights to the tree trunk, and defining the leafy areas and branches of the tree on the right by painting the negative spaces where the sky is peeking through.

The oak tree painting continues ...
plus probably my favorite of the California impressionists


WORK-IN-PROGRESS • 24 x 30 oak tree landscape painting

I love painting trees. I really don’t think I’ll ever get tired of it. I’m going to try to finish this one today.
______________________________________________________________

German-born California impressionist William Wendt (1865-1946) is one of my absolute favorite artists. I’ve been studying his later paintings of the glorious California landscape, paying special attention to how he used bold, broad strokes to simplify the shapes of the hills and trees. Beautiful.



Wednesday, May 29, 2013

A new work in progress
plus studio cats just chillin’

Each day I go to my studio full of joy;
in the evening when obliged to stop because of darkness
I can scarcely wait for the morning to come ...

ADOLFE-WILLIAM BOUGUEREAU


Oak tree painting WORK-IN-PROGRESS • 24 x 30 inches

I never get tired of painting trees. I finished the vivid underpainting in acrylic, and I’ve just started with the oils. I was so sorry when the sun started going down today; I didn’t want to stop!

Ray and Jo kept me company while I painted. 

The life of a studio cat is a tough one, but they somehow manage to get by.

Meanwhile, Buster and Sophie were having 
just as rough an afternoon downstairs in the sunporch.
 (Poor things!) 

Saturday, May 25, 2013

The difference a door makes


For the last few days I’ve been working on two commissioned projects (one involves 3 paintings!) that I can’t show because they are surprises for the recipients, so I thought I would show our newly refurbished and rejuvenated kitchen door, thanks to my Dad!

This is what this door looked like when we first started restoring our house. You can see where the old porch roof used to be, above the transom. That collapsed years ago, but we do plan to rebuild it, too, before we’re done.

And by “we” I mean Dad.
The day before Dad came to take the  door to work on it, I saw this picture in the May issue of House Beautiful. I love that blue door! I showed Paul and he liked it too, so then the idea was to do a kind of “cottage chic” look for the kitchen, like in the magazine photo, starting with painting the door that beautiful turquoise-y blue.

Daddy did a GREAT job (as usual) bringing this 100-plus-year-old door back to life. It had been badly beaten by the weather since the old screen door got blown off last year, and every time the door was opened and shut, more little chips of paint would fall off. Plus the doorknob had gotten so loose that the outside knob fell off almost every time the door was shut. Very Green Acres.
But just look at it now! (By the way, Daddy also restored the old screen door, and is now putting the newly cleaned and painted screen guard on it, so we will be putting that in soon.)

Dad, Mom and I put the newly-turquoise door in yesterday, and now Paul and I really like the look of the turquoise door with the terra cotta colored walls, so we’re going for a “southern farmhouse chic goes to sunny Mexico by way of Santa Fé” feel for the kitchen.

A happy kitchen!

Here’s how the door looks from the inside. Just a note: the plant with the little purple flowers is real; the wildflowers in the tall pitcher are fake. When it comes to flowers, I like mixing it up with the real and the fake. Twice as many flowers and only half the work. And nowadays, most times the silk flowers look just as real as the real. And if you look really close, you will notice the can of Febreze peeking out from behind the purple flowers. I’ve said it before and I’ll say it again: Febreze is a household essential in a family with seven dogs. And three cats.

And my next kitchen rejuvenation project will be painting the cabinets. Here you can see where the 1990’s French blue is peeling off to show the 1940’s light green.

I’m loving the fresh feel of our new door ... I just can’t stop looking at it. Here’s how it looked while I was making dinner (tacos!) last night.

Notice how great it looks with the cover of the new art supplies catalog that came in yesterday’s mail.

And I love the way the orange-y light shining out the transom at dusk complements the blue. Very inviting. It says, “Time to put away your gardening tools, brush yourself off, and come in for a glass of iced tea.”

At least that’s what it says now that it’s starting to be summer. I’m sure that in the winter it will say, “Wipe off your boots and come on in for some snickerdoodles and hot chocolate”!

Thank you, Daddy!

Tuesday, May 21, 2013

Designing kitty

SOLD

Princesse des Fleurs  © 2013 Karen Mathison Schmidt, artist
6 x 6 inches • oil on museum-quality, archival GessobordTM
private collection • Connewarre, Victoria, Australia


Here’s Jo, pretending she’s queen of the woodlands. Unfortunately, her flower crown is just a smidge too large for her. That’s okay with her though; she’d just as soon sit inside it as wear it any day.

I painted this one from a photo I took right after she came to join our family, when she was still a kitten and cute as a little multi-colored button.

Now she’s very grown-up, a tall and graceful “teenager.”

She’s also getting very bossy.

While I was in the planning stage for this painting, she took it upon herself to supervise the cropping.

I’m sure she’ll be wanting to apply for admission to design school next fall.

Saturday, May 18, 2013

Ray, cat of ... well ...
approximately two expressions

Yep. He’s got this one ...

Lavender Sweater  © 2013 Karen Mathison Schmidt, artist
6 x 6 inches • oil on museum-quality, archival GessobordTM
gloss varnish for UV protection

$125
  
from my eBay store

and he’s got this one ...

Sweet dreams, all!